Category: General
- Al Hirt
- Bill Chase
- Boss Brass
- Buddy Rich
- Chuck Findley
- Classical or symphony pops
- Dave Grusin
- Doc Severinsen
- Don Jacoby
- Gene Hall
- General
- Harvey Anderson
- Holiday
- John Haynie
- Leon Breeden
- Louis Armstrong
- Maynard Ferguson
- Maynard Ferguson
- Museum
- My favorites
- My videos on Youtube
- Natalie Cole
- North Texas One O'Clock
- Rare recording
- Rehearsal bands
- Rodney Booth
- Sherman Jazz Classic
- Sherman Jazz Museum
- Singers
- The artists
- Woody Herman
- WWC Jr.
- Wynton
Bill Collins III at the PHS band reunion 2013
Our high school band reunion in Fort Worth at Paschal High School in 2013.
Randy Lee
Randy is one of the world’s great woodwind players who lives in Dallas. This was at our high school reunion in 2013 at Paschal High School in Fort Worth, TX.
John Thomas
John is a great lead trumpet player who teaches now at USC. He was a year ahead of me in high school, and taught me how to read and phrase jazz compositions. This was at our high school band reunion in Fort Worth at Paschal in 2013.
Dave Koz and the Summer Horns Tour 2018
We heard this group in Austin at the One World Theatre on August 3, 2018. They did two, hour and a half high energy shows that night. These are excerpts from the second show.
A Record Album Museum
When we decided to have a jazz museum, all we had was a building, a large room full of antiques, and about 400 records I had bought over the years. The antiques would have to be sold off to make room. This was the top floor of the building, and we already had another floor below that was full of antiques. A record album museum was exciting to me because I had recently learned from our daughter that album covers were going to be a thing of the past.
Our daughter was beginning to download songs and albums onto her iPod. I was horrified to think that she would have no hard copy album covers and more importantly, no liner notes. The liner notes tell you who composed the music, who did the arrangements, who played on the tracks, when it was recorded and where, not to mention the tunes and the time for each tune. In addition there might be photos and information about the band, or the recording session. Part of my love of getting a new album was reading the liner notes as I listened to the record. The history of jazz is written on the backs of record albums, not just in books. The cover art was also interesting because each album was different, and a photo of the band might be there, also. Liner notes and cover art were about to be history going forward!
We decided to have a record album museum, but no CDs because we had no room for them. That meant the museum would only contain music up to about 1989, when CDs took over for good.
The museum needed a curator to design the look for the walls, paint, albums, etc. We chose our daughter, not knowing what a talent she had for that type of thing. We couldn’t have found a better curator. It is interesting to me that my path in life was to put together a museum, and I was given just the right kids to help me do that. She has done a fantastic job, as you can see in the photos. Our son’s story will come later in the process. The early photos are from early 2008.
Cat Anderson
William Alonzo Anderson, known as Cat Anderson (September 12, 1916-April 29, 1981), had a birthday two days ago. Cat became famous in the Duke Ellington Orchestra and was probably the best high note trumpet player in history.
I’ll never forget hearing the Ellington band in Ft. Worth in 1971, probably near the end of Cat’s tenure with the band. He was amazing with the upper register, but what stayed with me just as much was that he slept on the band stand sitting in his chair when not playing. I had never seen anyone do that before, or since. I wondered how he knew when to wake up and play, and I also wondered how he didn’t get fired. I leaned later in life that Duke was willing to put up with just about anything from his musicians–he was very loyal.
I don’t really remember much else about the concert that day. Cat’s playing was so impressive that I still can see and hear him playing “Satin Doll”. It was so effortless for him to do what very few could even come close to doing. I did read later in life, also, that Cat practiced four hours a day, both on off days and on performance days. I also heard from friends that he was very secretive about what size mouthpiece he played. I was told he would always take his mouthpiece with him on breaks. He was only 64 when he died. Now that I am 64 I can say that he died very young!
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